The granddaddy of Beatles fan conventions, the Fest for Beatles Fans (formerly known as Beatlefest), returned recently to Los Angeles for the first time in 14 years. Correspondent Peter Palmiere was on hand and filed this report. …
John Lennon once said that Elvis might have done the right thing staying away so long because people missed him so much. After an absence of 14 years, the Fest for Beatles Fans added an L.A. show this year, and fans generally gave it two thumbs up.
A good gathering of guests, a somewhat healthy flea market, great live performances, entertaining speakers and a reunion of old Beatle friends made for the most high-energy, enjoyable Fest since the late 1970s and early ’80s.
Producer Mark Lapidos was greatly aided this time by the services of publicist Jean Sievers, who handles the likes of Brian Wilson and Rockaway Records. Sievers launched a media blitz utilizing the Web, a billboard overlooking the 405 freeway (a major artery in Los Angeles), magazines and local TV and radio.
KLOS helped sponsor the event; their very own Chris Carter was the Fest emcee.
The flea market was in two different ballrooms — one exclusively devoted to The Beatles and a flea market for other great finds. The tables were sold out and there was a wide variety of interesting items available.
The big highlight in terms of displays belonged to Rockaway Records, which had two major items of interest on consignment. The first was the original wall from “The Ed Sullivan Show” stage autographed by the Fab Four; it boasted a $500,000 price tag. The other was the actual contracts that were signed by Vee-Jay Records and EMI giving Vee-Jay the right to release Beatle records in the USA. That asking price was $100,000. Although the items went unsold, they brought a lot of people to the tables.
Other veteran sellers of memorabilia, including Jim Hansen of Austin and Cliff Yamasaki of San Francisco, were there. Oddly enough, there was not an abundance of vinyl. Only Hansen, Rockaway and Freakbeat Records had any. At all. The crowd inside the flea market bought a healthy amount of vinyl and were clamoring for more. Bootlegs were present, but not out in the open — vendors perhaps being mindful of the 1998 bust.
The main complaint about the flea market was the absence of vendors and collectors from the U.K., Japan and Mexico. The vendors were somewhat reasonable with pricing — nothing too outrageous, with only a couple of exceptions. Most vendors did very well in terms of business.
Guest speakers Bob Eubanks, Freda Kelly and Mark Rivera were very entertaining. Eubanks shared his story of booking The Beatles into the Hollywood Bowl and gave glimpses into their personalities at the time. Kelly, who was Brian Epstein’s Beatles Fan Club secretary, gave an engaging talk about her experiences. The warmth of her voice and personality made her talk an engaging one. You could see why Brian and The Beatles trusted her so much. Mark Rivera mainly spoke about his experience with the All Starr Band and how Ringo played on Rivera’s new album.
Also on hand for the first time was legendary session drummer Hal Blaine. He drummed on many classic ’60s hits, including those by Simon and Garfunkel, the Beach Boys and, of course, the legendary Phil Spector-John Lennon rock ’n’ roll sessions. He said Spector fired a gun while in the studio with Lennon during the sessions and also when Stevie Wonder came in to visit.
Blaine also said Lennon was always respectful to the musicians at the sessions, despite being drunk most of the time. Conversely, he was quite rude and disrespectful of any executive or producer who came through the door.
He also stated that Ringo was a great force in rock ’n’ roll because of both his drumming and his persona. Blaine had recently spoken to session drummer Bernard Purdie, who admitted his statements regarding his drumming on many Beatles classics were untrue. The only thing he drummed on were the Tony Sheridan tracks issued by Atco Records.
Although Blaine’s interaction with The Beatles was limited, he received a huge standing ovation at the end. People knew of his playing on so many hits they loved and remembered.
The performers at the Fest — including Joey Molland, Billy J. Kramer, Mark Hudson, Rivera and three members of Wings: Denny Laine, Denny Seiwell and Laurence Juber — gave spirited performances.
The performance highlight, though, went to former Apple Records exec Peter Asher, who entertained the audience with concert performances of Peter and Gordon songs, reminiscing about his career, and showing vintage video clips. Through the magic of video, his show included a performance of “True Love Ways” with the late Gordon Waller of Peter and Gordon. There wasn’t a dry eye in the house and the performance was given a huge standing ovation.
Asher, to his credit, did a full two-hour show, despite being jet-lagged. He took a transatlantic flight from Britain to Los Angeles, going onstage a scant two hours after his arrival.
Finally, I spoke at length with Mark Hudson, Ringo’s former long-time producer. Hudson said that the relationship between him and Ringo was in the healing stages; they were discussing putting out a CD this summer called “Demo Daze,” which would consist of songs that they made as demos but which didn’t make the cut on any of Ringo’s solo records. Ringo likes the idea or, in Hudson’s words, “Ringo loves demos! He likes bootlegs, too.”
Hudson has hopes this could lead to a full reconciliation, both personally and professionally, with Ringo.
Hudson also revealed his favorite track off the “Vertical Man” album was “What in the … World,” which he wanted released as a single instead of “La-De-Da.” His favorite tracks on the Christmas album they did together were “Come On Christmas” and “Winter Wonderland.” And, Hudson said, the line about “It’s a bad point of view / If Pat Boone got through to you” in “Memphis in Your Mind was a direct result of Ringo’s hatred of the fact that Boone had a hit with Fats Domino’s “Ain’t That a Shame” in the USA.
Lapidos also had a huge gathering of Beatle authors for the Fest that included Bruce Spizer, Chuck Gunderson, Al Sussman and Wally Podrazik. Beatlefan Contributing Editor Tom Frangione did an onstage interview with Lapidos at the convention.
While those who attended were very pleased with this year’s L.A. Fest, attendance was disappointing, with most estimates running in the 3,000 range for the weekend, which leaves you wondering whether the Fest will return again to L.A. next year.
— Peter Palmiere
I attended both the NYC Fest and LA Fest, and by far, NYC was the Fab-est! Adding to the excitement was being at the airport 50 years to the hour that the Fab Four landed in the US in 1964. The attendance was more than double of the LA Fest, which added to the energy of the weekend, LA sunny and warm, NYC freezing wind, cold and snow! Other than that, Mark Hudson was even better in NYC, and he is always amazing! All considered, Thanks to The Fest, I was able to start and finish my year by celebrating 50 years of the best music, honoring the Four most amazing men of our times!! Beatles Forever!!!
This is great!!! Thank you Peter!!!
I’m a native Midwesterner (Illinois), having attended about 12 Chicago Fests, and now living in Arizona, went to the revived LA get-together. The proceedings themselves were fine as always, but I would never attend another convention at that Hotel (LAX Marriot), since they were hell-bent on ripping all of us off to the absolute maximum. The room rates, when parking, etc. was included, were too high, but reasonably comparable to Chicago’s O’Hare Hyatt. But unlike in Illinois, there were (clearly, by deliberate decision) no snack bars, tables, or even in-house or nearby convenience stores for food and beverages. After getting in early Friday evening, a good, though by no means great, dinner there ran me $80! (my alternative was to go hungry all night), while a mediocre “lunch” the next day (which I had to buy twice, not being able to afford another “dinner”) was pushing $30 a pop. I hope, regardless of the attendance, that Mark can put the show on again next year, but there is no way for anyone but the extreme rich to afford this year’s exorbitant costs ever again.
i’ve been to los angeles and it’s full of rap and hiphop loving people.i’m not surprised the beatlesfest was low in attendance.new york city is much better,as is chicago.sounds like john isn’t very good at how to save money when going to a beatlesfest.i would go to chicago.and stay at the hilton connected to the airport.and take the shuttle to the hyatt.and then take the shuttle back to the airport and go to the hilton where i was staying.this saved me cabfare or renting a car.and to eat i would go to the food court at the airport.it was open 24 hours.beatlefest isnt what it used to be since they stopped selling bootlegs.most of the beatles stuff they did hasnt been released and is only available through bootleg.so if you’re a beatles fan not having any bootlegs is like not having 50 percent or more of the beatles work they made.